All about Sri Rama Navami cultural festival
The period from Ugadi to Sri Ramanavami is one that everybody anticipates as they bring a plenty of social, abstract, and melodic occasions. As this year is the 125th year of birth of Chandrasekharendra Saraswathi, Paramacharya and the Sage of Kanchi, Sri Rama Navami Cultural Festival is praising its 58th Festival with numerous dedicatory programs spread more than sixteen days, starting from 6 April.
The multifaceted identity of Paramacharya is brought out in six addresses spread from April 6 to 8. The inclusion incorporates Paramacharya's yeoman administration in the protection and proliferation of Vedic writing — he as a perfect Acharya, his soul of Nationalism, his various advantages in shastriya sangeetham, his connection with contemporary western contemplations, lastly the Paramacharya as awesome blaze. The amazing speaker line-up on the three days is driven by K Ramasubramanian, Professor of IIT Mumbai, Dushyanth Sridhar, Justice V Ramasubramanian, Vishakha Hari, Aravind Sitharaman the previous MD of CISCO India, and the at long last the Tamil social symbol Suki Sivam.
Harikatha artiste Vishakha Hari presents a 'Sangeetha Upanyasasm' on April 9, on Raghava Yaadaveeyam, an old, Sankrit 30-stanza 'viloma anuloma kavya' (bi-directional lyric) by the writer Venkatadwari. The extraordinary part of Raghava Yaadaveeyam is that when perusing from left to right, it shows the whole Ramayana, from Rama's manifestation to his Pattabhishekam, and when perusing backward, it portrays the Parijathapaharanam scene from the Bhagavatam. In this way accounts of both Rama and Krishna are described in a similar work. Visakha Hari is joined by Ananthakrishnan (violin) and Arjun Krishna (mridangam).
A five-day Ramayana arrangement 'Punnagai Ramayanam' from April 10 to 14, portrayed the customary Ramayanam with uncommon stop focuses on imperative grins in the epic. It is rendered by N Venkatesh, who will harp on the significance of Valmiki and Kamban.
April 13 starts with a Rama Janana Patanam, pursued on that night by an extraordinary "Established Symphony" by Hyderabad-based Arabhi Center of Performing Arts, including a 25-violin gathering involving understudies of Ashok Gurjale, joined by veena, mridangam, tabla, tavil and ghatam.
The Carnatic music card is filled on April 15 by Aishwarya and Saundarya, kin and incredible excellent girls of M S Subbulakshmi. Going with them on the violin is M Narmadha, little girl of violin maestro M S Gopalakrishnan, M S enkatasubramanian on mridangam and S Venkataramanan on kanjira.
On April 19, the most youthful entertainer of the celebration — 11-year-old wonder Raghuram Manikantan exhibited by Kuldeep M Pai takes the wonder corner, joined by Subbaraman on violin, KS Mahesh Kumar on mridangam and PR Ramesh on morsing.
A fantastic Bharanatyam move dramatization 'Sri Devi Mahatyam' in light of the brilliance of heavenly moms, Mahakali, Lakshmi and Saraswathi, will be exhibited by understudies of Geetha Ganesan of Uttaraa Center of Performing Arts
The feature of the celebration will be the Telugu pravanchanam (talks) by Brahmasri Chaganti Koteswara Rao, on "Dharma Swaroopam-Paramacharya" from April 16 to 19 at 6.30 pm. His interpretation of the Kanchi Paramacharya is that he was one who had no living master to guide, and how he himself advanced better qualities than live by; exercises that could have incredible pertinence in contemporary occasions.
In a fitting finish to the celebration, the most recent two days April 20 and 21, are committed to "Dheivathul Dheivam", a Tamil show which reproduces scenes from the life of Paramacharya from age 13 to right around 100. With such a great amount of occurring for over a fortnight at Keyes High School Secunderabad, from April 6 to 21, Sri Rama Navami Cultural Festival guarantees a dynamic gala.
